Action and Characters

The dialog you created for your character simply should fit the character's personality and help move the story. Good dialogue in the script should display the uniqueness of character. If you cover the names of his characters, and only read the dialogue, you should be able to identify each of the characters. For example, the main character should not sound like a supporting character. Their manners should be pronounced. Make your images stand out from each other. Allow the audience to become fascinated with the life of his characters. Do not let your characters are constantly talking in the scene. "Talking Heads" slow the pace of the screenplay. Conversations between characters that are unimportant to the plot should be eliminated from the script. Avoid the "blunt" and "the nose" dialogue. Focus on meaningful dialogue that will help inject life and depth to your characters.

Focus on showing the action

In the scenario, to avoid the temptation to "announce" to the audience that your character is attracted to another figure. For example, "Johnny is crazy over Sarah." Instead, go to "show" and less "say". Effect of the sign generates more visual and emotional impact than passive stories. Unlike the novel, the book scriptwriting requires a writer to effectively convey a story visually for the movie screen. Words have to channel the character desires through actions, not just specify just what the character feels. The audience wants to experience and see things, not just be "told" something. Find Foreign funds transferred to Johnny's for her craziness. Creating opportunities for the audience to form a relationship with the character. Setting the scene show a strong attraction to Johnny Sarah. Did Johnny get restless about it? When he sees Sarah entering the office building, he rush to hold the door in hopes of gaining your attention? Instead of "talking" Johnny is a crazy crowd of Sarah, "show" the audience how that figure there are about another character.

Character Development

The best way to harvest their characters to observe how people interact with each other in everyday life. Whether you're on the race track shop, grocery store or coffee, to comply with its environment. See how people are coping and listen as they talk with each other. If you are in the beginning, take a small notebook with you and jot down funny moments and interesting sound bites you hear from those around you. What to observe and keep in mind that the day will help you create characters that are not carbon copies of each other.

In order to gather the attention of literary agents or managers, writers must demonstrate that they have a special voice in his writing and also understanding what the commercial industry. The scenario is a job writing scripts that have entertainment value. Allow your audience to live in the moment of his story.

Ellexia Nguyen is the owner of The Script joint, a consulting firm that works with the script writers, producers and directors. She started in the industry at Paramount Pictures.